Introduction: Siam

Siam

“There is a fine girl called Siam,”


SthnSun

South Siam Evening

“Just the facts, Ma’am…”

Population: 66 Million

Regions: 4 – North, Isaan, Plains, Peninsula

Provinces: 76

Ethnic Groups: 62

Neighbours: Burma, Cambodia, Laos, Malaysia (by Sea: India, Vietnam, Indonesia)

Buddhist: 95%

Name: Kingdom of Siam (S-eye-am or S-ee-am), Kingdom of Thailand

Real Name: M – – – (that would be telling…!)


“Who just wants to be all she can.”


Bangkok

Pocket Sized Downtown Bangkok


“She listens and reads,”


River

Painting: Southern River Village

 


“And learns what she needs,”


 

(click gallery for slide show)


“So shouts even more that, ‘I am!'”


 

 

All image credits: Somyen

Introduction: Art

Art, Artists, Collection, History in Siam, Somyen

Art in Thailand is an immense topic for anyone to approach with any degree of sincerity, and I for one would not be presumptuous enough to be confident in my grasp of it. Yet, the topic is of central importance to my efforts here and elsewhere, so a journey through the vast forest of ideas that is Thai art, is still a worthwhile undertaking. To help me signpost the way I need to embrace four main areas of concern.

The first two categories provide a context and background, and hopefully a useful introduction, to the nature of Thai artistic endeavour. The second two categories will just be me stumbling through a series of ruminations about why it matters to me and how that might inform my own work.

 


  1. History of Art in Siam
Wall Mural 1000x1000
Thai Temple Art – Photo: Somyen

Until relatively recently, art in Siamese culture was focused around the complex temple system, though not exclusively bound to it. Since the concept of art practice for its own sake has come into its own, building on the already well established skills and methods of craft artisans, art in Thailand is entering a golden age. Next year (late 2018) will see the first ever Bangkok Biennale for contemporary artists.

 


2. Artists in a Siamese Tradition

Thai art is a much wider phenomenon than simply that engaged in by people of Thai origin. Many foreign artists, both within and without the kingdom, contribute to and are inspired by the ancient and modern art practice of the Thai people. Indeed, what is ‘Thai Art’ in a fluid, modern and global context? This question and questions of the relationship between artistic practice and wider society are important considerations for this elusive idea: ‘Thai Art’.

Then there is the concept of ‘Thai Style’! Was there ever a term so prevalent and apparent, and yet so defiant in refusing to be fastened down to a definition…?

The following are two examples from very different genres, both works by Thai artists located in Bangkok, and to me, both showing their ‘Thainess’ boldly!

Ise Ananphada: Illustrator – Vandavanda

Vandavanda
Vandavanda by Ise Ananphada

Termsit Siriphanich: Photographer – Chalita Suansane

Chalita Suansane
Chalita Suansane by Termsit Siriphanich

 


3. Somyen

Non-Thai icons in a Thai realm. Thai themes in non-Thai realms. Alien forms dancing intimately with familiar, comfortable motifs. The sacred in the mundane. Or, the everyday in the transcendent. Split personalities, vying to out-do each other in sensation and significance.

Don Maai Kheo
Somyen: Dream’s Edge

Such are the preoccupations of one Thai girl, spread across cultures, tip-toeing her way to an amalgam of influences and embrace of passions.

Chaos and Calm.

Light and Shadows.

Capturing, Taming.

De-constructing…

 

 


4. Collections

What we create is really a presentation of our choices. By extension, our choices are creative. So it is that the art we like, the music we choose, and the questions we ask, are a snow storm of actions that create us. But when the choice itself is the creative goal, then we are collectors!

In this area though I will restrict myself to original works made by second life artists including discussion of exhibitions, as well as individual works themselves. This inevitably spills into a consideration of the efficacy of 2nd life (or any virtual realm) as a creative audience space.

Lanna Grid 2000ht
LANNA GALLERY – housing the Somyen Collection


 

Introduction: Virtual Asia

Virtual Asia

The Imaginary and the Real, Asian landscapes, both physical and emotional, are bound with a sensibility that embraces the symbolic, enchants the senses and delights in the teasing of endless possibility.

This finds voice…

Figurative and non-figurative, contemporary and traditional, mundane and exultant, the means and opportunity for expression are sought everywhere.

NOW, of course, there is virtual. V-i-r-t-u-a-l! Powerful, open and far-reaching!

And, oh….

Oh dear

At first, there is just a distant rumble, easily dismissed. It grows to be an irritant. Then in time a fractured growth is spawned, greedy for commodity. “Who are these ‘Asians’ of who they speak? They are not US!”

Divergent meanings, iconic inversions, ill-mannered appropriations, dumb caricatures – all abound – and we find ourselves no longer seen.

Still, there are those moments of clarity, instances when the Asian soul can still be found and is happy to embrace us once again. We are reminded of our own vast realm, and better, truer voice…

360Panoramic: Somyen

Thus begins my collection of posts that explore the virtual representation of ‘ASIAN’. I’m touring the amazing, ugly, and downright awesome. At times it could get feisty. At times it could be despairing. It could even be bleak or hilarious.

But hopefully it will never be irrelevant…

Introduction: BangYen

BangYen

The original goal in beginning a presence in Second Life was to use the game system and 3D engine to build and develop Thai artifacts and builds. We wanted to create a collection of Thai assets and textures for other planned projects, and a background and baseline provided by the classic Cluster House was a good way to frame this effort. Also, the strong social network that persists in-world gave the opportunity for a wider audience to possibly appreciate such a project too.

It is from these aims that the concept of BangYen was evolved.

Essentially, BangYen is an authentic reproduction of what might often be termed a ‘Muang House’ (baan muang) in Siam. These were the very best in terms of innovation and design and were occupied by lower and upper nobility, and sometimes wealthy merchants. They were, and still are, an excellent example of adaptation to environmental extremes, and a native love of design and form.

Their sophistication reached its peak around the end of the 19th century so it is from this time I have taken design elements to create a house that reflects, as much as is feasible within the system’s limits, the great achievement that this form of dwelling is.

But every worthwhile project needs a plan…

HousePlan.png

BangYen: Concept Layout Vers.2

 

The house, and surrounding land are still very much a work-in-progress, but we are at the stage in development when it is possible to gain a good sense of what these buildings are like to enter and move around in.

 

Bangyen

BangYen: Public Entrance

Introduction: STYLE

Style

Much of my time in Second Life is used for the design and collating of outfits. One challenge for me in this is the curation aspect of pulling a result together from different sources, whilst trying to maintain a high standard in both result and variety.

The collection of source items used, and the finished outfits are organized to a very high degree.

Currently, I recognize 5 style groupings and the following descriptions are to distinguish between them, rather than to actually attempt the impossibility of definitions. These groupings have evolved over time although many outfits could be found in more than one category. The figure quoted at the end of each description is the number of that type I currently have and/or are works-in-progress, although this changes almost daily.

 

  1. Casual

    Everyday clothing. These include jeans, t-shirts, shorts etc and would be practical for general daily use when nothing much is expected of style.  [106 outfits]

  2. Party

    A wide mix of style and items from suits to cocktail dresses. These have in common that they would be suitable for a party or event when there is a requirement on oneself to distinguish from casual, but generally avoiding more formalized expectations.  [180 outfits]

  3. Smart

    More formality but for a professional or meet-up type situation. Think office, management or teacher, job interview or important date.  [33 outfits]

  4. Formal

    Stylistic choices for grand events, often public, where the style indicates the period or standard expected as meeting the higher status of the gathering. Ballgowns, long cocktail dresses etc.  [64 outfits]

  5. Special

    These are created for specific reasons and not usually transferable to other events or locations. This includes styles for Halloween, Gothic clubs, valentines and vintage/traditional, and beachwear.  [35 outfits]

Composite Styles

I’ve long thought it curious that I use these categories on the basis of  ‘event’ and group expectation rather than internal form and structural criteria, although personal preference is paramount, and indeed, the point!  Future postings should explore this…